The Wizard of Oz and Monarch Slave Programming
I might have seen “The Wizard of Oz” movie once or twice in my childhood. At the time, it did not register much of an impact. Years later, I saw the film synched up with Pink Floyd’s album “The Dark Side of the Moon”. The uncannily correlation between the events in the film and the album’s music and lyrics left me speechless. Now I chalk the effect up to synchromystism (an intriguing area of study touching on the Jungian theory of meaningful coincidence). As an aside, I highly recommend pairing the Pink Floyd song “Echoes” with the final segment (entitled “Jupiter and Beyond the Infinite”) from the Kubrick film “2001: A Space Odyssey”.
Fast forward a decade or so, and “The Wizard of Oz” took on a new, albeit disturbing, significance in my life. I became acquainted with the CIA MKULTRA/MONARCH program which used mind control triggering methods that employed language and symbolism from Frank Baum’s famous book.
MONARCH programming is a trauma-based form of controlling human behavior without the subject’s knowledge. As a result of ritualistic sexual abuse, human and animal sacrifice participation (blood rituals), electro-shock, and other more technologically modern techniques, the mind splits off (or dissociates) into programmable personalities separate from the core. Further conditioning involves pleasure/pain reversals, food/water/sensory deprivation, hypnotism, double-bind coercion, and the administration of drugs to the subject. The victims of this form of mind control are deployed as assassins, drug mules, prostitutes, serial murders, or agent provocateurs.
Trauma-based mind control dates back at least to the ancient Egyptians. Ritualistic methods were employed to induce trauma through torture, hypnotism, and the use of drugs to as a way to fracture the initiate’s mind creating alters (or multiple personalities). This occult practice migrated to the West and was utilized by the British Tavistock Institute and the NAZIs. This knowledge of this practice landed in the hands of the U.S. intelligence community in the 1940′s through the importation of NAZI scientists after WWII (See Operation Paperclip and the ODDESSA rat lines),
Another way of examining this convoluted victimization of body and soul is by looking at it as a complex computer program: A file (alter) is created through trauma, repetition and reinforcement. In order to activate (trigger) the file, a specific access code or password (cue or command) is required. The victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female, since they possess a higher tolerance for pain and tend to dissociate easier than males. Subjects are used mainly for cover operations, prostitution and pornography; involvement in the entertainment industry is notable. (Source: Project Monarch by Ron Patton)Many MONARCH slaves are often selected from families that have engaged in multi-generational sexual and psychological abuse. Former CIA/DIA MONARCH slave Cathy O’Brien’s book Trans Formation of America went into great detail describing the different programming methods used by her government handlers to manage her alter personalities. In addition to Wizard of Oz programming, the other scripts used are: Alice in Wonderland, The Tall Book of Make Believe, Alien abduction, Island of the Blue Dolphins, and The Lesser Key.
The author of “The Wizard of Oz”, Frank Baum, was an ardent occultist and an initiate in the Theosophic Society. The fairy tale of Dorothy and her little pup was rich in esoteric knowledge and occult symbology. In the 1940′s, the story was chosen by those in the U.S. intelligence community to provide a thematic foundation for their trauma-based mind control program.